CREATIVITY AND COGNITION 4, 13-16 Oct., 2002
Processes and Artefacts: Art, Technology and Science
An ACM SIGCHI International Conference
| THEMES | COMMITTEE | KEYNOTES | PROGRAMME | EXHIBITION | TUTORIAL | IMAGES |
| See Images from the Conference HERE | ||||||
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CREATIVITY & COGNITION CONFERENCE PROGRAMME poster session |
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The conference venue is
Burleigh Court Conference Centre, Loughborough UK |
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| Sunday 13 October Creativity & Cognition One Day Tutorial | |
| 10.00-5.00 |
Creativity Support Tools: Leonardo‘s Laptop: Ben Shneiderman Schofield Building, Room A1.28 Loughborough University Campus |
| 6.00-7.00 | Conference Registration in Front Foyer of Burleigh Court |
| Monday 14 October Conference Day 1 | |
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All presentations will take place in the Convention Room at Burleigh Court, Loughborough University.
Coffee and tea breaks are in the lounge and lunches in the main dining room adjacent to the lounge. |
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| 7.45-8.45 | Conference Registration in Front Foyer of Burleigh Court |
| 8.45-9.00 | Opening Address by Conference Co-Chairs |
| 9.00-10.00 |
INVITED SPEAKER John Gero, University of Sydney, Australia Computational Models of Creative Designing Based on Situated Cognition |
| 10.00-11.00 | Session 1 |
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Supporting Creativity in Problem Solving Environments Marc Vass, John M Carroll, and Clifford A Shaffer, Virginia Tech, Blacksburg, USA Recognizing Creative Needs in User Interface Design Michael Terry and Elizabeth Mynatt, Georgia Tech, Atlanta, USA |
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| 11.00-11.30 | Coffee/Tea Break |
| 11.30-12.30 | Session 2 |
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Generator: the Dialectics of Orderly Disorder Geoff Cox, University of Plymouth, UK Computer Aided Creativity: Practical Experience and Theoretical Concerns Robert Pepperell, University of Wales College, Newport, UK |
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| 12.30-2.00 | Lunch |
| 2.00-3.30 | Session 3 |
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The Impact of Functional Knowledge on Sketching Winger Tseng, Stephen Scrivener and Linden Ball, Coventry University, UK Why Use Computers to Make Drawings? George Whale, Loughborough University, UK Functions of Sketching in Design Idea Generation Meetings Remko Van der Lugt, Delft University of Technology The Netherlands |
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| 3.30-4.00 | Coffee/Tea Break |
| 4.00-5.00 | Session 4 |
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How to Study Artificial Creativity Rob Saunders and John Gero, University of Sydney, Australia Computers and Modern Art: Digital Art Museum Mike King, London Guildhall University, UK |
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| 5.00-6.00 |
INVITED SPEAKER Brent McGregor, Edinburgh College of Art, UK Cybernetic Serendipity Revisited |
| 6.30-8.30 |
Exhibition at School of Art and Design: Invitations in Conference Pack |
| Buses depart for the Gallery and C&CRS Studios from the front entrance of Burleigh Court | |
| Tuesday 15 October Conference Day 2 | |
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All presentations will take place in the Convention Room at Burleigh Court, Loughborough University.
Coffee and tea breaks are in the lounge and lunches in the main dining room adjacent to the lounge. |
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| 9.00-10.30 | Session 5 |
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Acting to Know: Improving Creativity in the Design of Mobile Services by Using Performances Kari Kuutti, Giulio Iacucci and Carlo Iacucci, University of Oulu, Finland, University of Edinburgh, UK Interaction Design as a Collective Creative Process Kumiyo Nakakoji and YasuhiroYamamoto, Aoki, Atsushi University of Tokyo, JSPS NAIST-IS, SRA-KTL Inc. Tokyo, Japan A Concept to Facilitate Musical Expression Chika Oshima, Kazushi Nishimoto, Yohei Miyagawa and Takashi Shirosaki, Japan Advanced Institute of Science and Technology, PRESTO, JST. |
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| 10.30-11.00 | Coffee/Tea Break |
| 11.00-12.30 | Session 6 |
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How Designers Transform Keywords into Visual Images Yukari Nagai and Hisataka Noguchi, Tsukuba College of Technology, Chiba University, Japan Cognitive Mechanisms Underlying the Creative Process Liane Gabora, Free University of Brussels, Belgium Modeling Co-Creativity in Art and Technology Linda Candy and Ernest Edmonds Loughborough University, UK and University of Technology Sydney, Australia |
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| 12.30-2.00 | Lunch |
| 2.00-3.00 |
INVITED SPEAKER Nigel Cross, The Open University, UK Creative Cognition in Design: Processes of Exceptional Designers |
| 3.00-4.00 | Session 7 |
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Panel: Research into Art and Technology Chair: Bronac Ferran, Arts Council of England Panellists: Ernest Edmonds, John Howarth, Judith Mottram, Jon Pettigrew |
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| 4.00-4.30 | Coffee/Tea Break |
| 4.30-5.30 | Session 8 |
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A System to Support Long-term Creative Thinking in Daily Life and its Evaluation Hirohito Shibata and Koichi Hori, University of Tokyo, Japan Scripting the Interactor: an approach to VR Drama Josephine Anstey and Dave Pape, University at Buffalo and Res Umbrae, Buffalo, USA |
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| 5.30-6.30 | POSTER Session |
| 7.00 | Whisky Tasting: Lounge (Ticket only) |
| 7.30 | Pre-dinner refreshments: Lounge Bar |
| 8.00 | Conference Dinner: Dining Room |
| Wednesday 16 October Conference Day 3 | |
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All presentations will take place in the Convention Room at Burleigh Court, Loughborough University.
Coffee and tea breaks are in the lounge and lunches in the main dining room adjacent to the lounge. |
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| 9.00-10.30 | Session 9 |
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QSketcher: An Environment for Composing Music for Film Steven Abrams, Ralph Bellofatto, Robert Fuhrer, Daniel Oppenheim, James Wright Richard Boulanger, Neil Leonard, David Mash, Michael Rendish and Joe Smith T J Watson Research Center, IBM and Berklee College of Music, Boston, USA Supporting Musical Composition by Externalizing the Composer’s Mental Space Shigeki Amitani and Koichi Hori, University of Tokyo, Japan Sounds of Artificial Life Eduardo Miranda, Sony Computer Science Laboratory, Paris, France |
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| 10.30-11.00 | Coffee/Tea Break |
| 11.00-12.30 | Session 10 |
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Interactive Processes between Mental and External Operations in Creative Activity: A Comparison of Experts' and Novices' Performance Norio Ishii, Kazuhisa Miwa, Nagoya University, Japan A Model for Information Technologies that Can Be Creative Johan F Hoorn, Free University, Amsterdam, The Netherlands Concept-Context-Design: A Creative Model for the Development of Interactivity Andruid Kerne, Texas A&M University, Texas, USA |
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| 12.30-2.00 | Lunch |
| 2.00-3.00 |
INVITED SPEAKER Jack Ox, Artist, USA Two Performances in the 21st C. Virtual Color Organ |
| 3.00-3.30 | Coffee/Tea Break |
| 3.30-5.00 | Final Session |
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Panel on a Research Agenda for Creativity and IT Sponsored by the Engineering and Physical Sciences Research Council of the UK |
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CREATIVITY & COGNITION CONFERENCE POSTER SESSION conference programme |
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| 15th October 2002, 6.15-7.30pm, Burleigh Court, Loughborough University. | |
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CHI 2002 Creativity and Interface Workshop Win Burleson & Ted Selker, MIT Media Lab, Cambridge, USA |
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Semiotics and the Evaluation of Web-Based Communication John Connolly, Loughborough University, UK |
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Externalized Perspective Taking: A Strategy for Collaborative Creativity Ruediger Oehlmann, Kingston University, UK |
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Children as Artists and yHCI John Pettigrew, Loughborough University, UK |
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The Crying Post Project Dennis Summers, The College for Creative Studies, Royal Oak, USA |
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Information Art David Topping, Coventry School of Art & Design, UK |
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In search of the cybermuse: Supporting creative activity within product design Oli Mival, HCI Group, Department of Computing, Napier University, Edinburgh, UK |
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Supporting Innovation and Creativity through Interactive Evolutionary Systems Ian Parmee, Advanced Computation in Design and Decision-making, CEMS, University of the West of England, Bristol, UK |
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Modeling Human Compositional Processes using a Genetic Algorithm Andrew Gartland-Jones, University of Sussex, UK |
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Breakers and Bracers Lars-Erik Janlert & Oscar Appelgren, Umea University, Sweden |
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Systematic Innovation using TRIZ Simon Dewulf, Darrell Mann, Jonathan Hey, Thomas Pellereau, CREAX, Belgium |
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| Creativity & Cognition 2002 |
| Conference Manager: Miss I Holt |
| C&CRS: Department of Computer Science |
| Loughborough University |
| Loughborough |
| LE11 3TU UK |
| Tel. +44 (0)1509 228223 |
| Fax. +44 (0)1509 610815 |
| Email: I.Holt@lboro.ac.uk |
| Website Produced at Creativity & Cognition Research Studios |